Video Installation
Images dissolving, appearing and disappearing: memory, repetition, loss, silence. Material and immaterial territories melt in the promise of a stationary, alien, and transcendental wealth.
The thirst for gold does not change, but the name of the conflict does. While the mineral is ripped from the mud to be piled in distant vaults, the history of cultural, political, and environmental genocide reaches the bloodstream.
It turns into the extinction of species in the Magdalena River, into toxic gases invading unborn beings, into promises of capitalistic progress. In Colombia, armed conflict has lasted for over sixty years, and has to be understood as an ecosophic conflict as much as a sociopolitical one.
The Pseudoplatystoma magdaleniatum, or bagre rayado, is an endemic species of catfish living in the shallow waters of the Magdalena River. More than 1,500 km long, the river is born in the Colombian Andes and flows into the Caribbean Sea.
Through its waters, gold, enslaved people, animals, and spices traveled to Europe, while the Spanish colonial project entered the territory and funded cities from Cartagena to Bogotá over a period of 400 years.
Video documentation of the installation
What remains after extraction is a history that repeats itself: ghosts and phantasms inside modern machines that replicate a history of fear and thirst for power.
Gold continues leaving the country as it did in colonial times. The mirage of progress is still the currency of exchange, and foreign countries keep piling gold bricks in alien vaults.
The river dies and another species is gone; immobility and the absurdity of wealth remain. Drug trafficking, revolution, democracy, gold mining, slavery, space exploration: the name of the reason changes, the thirst for power does not.
The capitalist, modern, and evolving phantasmagoria haunts our feelings, emotions, skies, rivers, forests, and time, while we smile with the commodities offered in exchange for life.
After the Gold is a video installation by Andrés Salas-Parra.
Year: 2019
Format: Video installation
What remains after the extraction?